My debut full-length collection of poetry, We Shed Our Skin Like Dynamite, released May 2020 with Guernica Editions.

 

 

Purchase available from Guernica EditionsIndigo, Barnes and Noble, or your local bookseller!

In her debut collection of poetry, Conyer Clayton hovers in the ether, grasping wildly for a fleeting sense of certitude. Through experiences with addiction and co-dependence, sex and art, nature and death, she grapples for transcendence while exploring what it means to disengage. What is revealed when you allow yourself to truly feel? What do you ask for to carry you into life, and where do you land when this fails? And when you are finally, beautifully, emptied out, who are you? The poems in We Shed Our Skin Like Dynamite wonder aloud amidst tangled revelations, and yearn to be lifted away.

CHAPBOOKS

Trust Only the Beasts in the Water was released in June 2019 by above/ground press. Cover art by Kelsea Shore.

This a chapbook of surrealist prose poems inspired by my dreams. About the thinness of the lines we draw between our waking reality and our unconscious. This collection uses the power of the seemingly random symbols generated in our sleep to highlight what lurks in the edges of our awareness. What dangers won't we allow ourselves to fully look at when our eyes our open? This collection stares the beasts down. It comes to love them.

Available for order here!

 

Check out these reviews at periodicities and The Maynard 

/ is a micro-chapbook released by post ghost press in June 2019.

From the publisher: "This dream of a poem helplessly interrogates the insolvency of dreams and the violence of gaslighting. How does memory fade or cajole the viewer? How do we remake our pasts, our histories, our dreams?

This microchap measures approximately 2.5" across and 4" high. It is folded in two layers: the base text, and a concealing layer of translucent vellum paper, which resists the gaze of the viewer and must be pressed in order for the poem to be read."

Available for order here via post ghost

Mitosis was released by In/Words Magazine and Press in August 2018.

Edited, designed, illustrated and produced by Manahil Bandukwala

This is one long poem in 5 sections. It is about a sense of severed self. Themes of family trauma, domestic violence, mental illness, and healing weave into the murky waters of death and grieving. This collection sits stagnant in the pond, is tossed about in waves, and eventually, evaporates, becomes cloud. It was released alongside its sister project, the collaborative album, If the river stood still,  with Nathanael Larochette.

Contact me directly to purchase a copy

"

Undergrowth was released by bird, buried press in June 2018.

This collection is a series of 16 prose poems, each with an accompanying illustration by Kelsea Shore. These poems are rooted in the garden I had in summer of 2016 in Halifax, and ostensibly take on the form of seed packets. These poems allow each plant to tell me what I needed to hear at the time but couldn't. What I needed to tell myself. An exploration of death, relationships, abortion, and disintegration in the guise of gardening instructions.

Undergrowth was printed in a limited edition run of 50 copies, and is now sold out.

For the Birds. For the Humans. was released February 2018 by battleaxe press. 

Cover art by Komi Olaf

This is a collection about wilderness and control, in the world, in ourselves, in our relationships, and through history and species. These 13 poems are a very loose crown of sonnets, deconstructed to follow an organic, rather than rational, logic.

To purchase, contact battleaxe press

Reviewed by Today's Book of Poetry

The Marshes was published by & Co Collective in November 2017.

Cover art by Cori Hills

This is a collection of 30 surrealist micro-poems. A study of the magical minutae of every day life. The glittering moments that are important for reasons that cannot be explained. The hyper-real.

Contact me directly to purchase a copy. 

MUSIC AND HYBRID PROJECTS

Further Behind You is my debut solo musical EP. 

This album was written and recorded in my apartment in Ottawa, mostly during this period of self-isolation in March and April 2020. I view it as a time capsule. You can hear in it what I heard as I created, including the sound of the train passing by.

I hope these 3 songs bring you some peace and empowerment, as they brought me.

You can find it on my bandcamp, and very soon, on all streaming services.

Written and performed by Conyer Clayton
Vibraphone/Marimba/Vocals by Conyer Clayton

Cover Photo taken by Conyer Clayton
Engineered by Nathanael Larochette and Conyer Clayton
Mixed by Nathanael Larochette
Mastered by Simon Larochette at The Sugar Shack

 

 

If the river stood still was released August 20, 2018.

 

This collaborative album fuses the poetry of Conyer Clayton and the musical compositions of Nathanael Larochette. It was released alongside it's sister project, the chapbook, Mitosis.

It follows my ongoing process of grief, closure, and healing following the death of my mother in 2010.

Available for listening and purchase at my bandcamp, as well as all streaming services

Photo taken by Nathanael Larochette at Land Between the Lakes in Kentucky, summer 2018.

Sound Carries is a performance poem using breath, voice and a loop pedal. This version was recorded live during my performance at Resonance Cafe in Montreal, on September 8, 2019.

Released November 23, 2019


Written and performed by Conyer Clayton


Check it out on my bandcamp!

POETRY PUBLICATIONS

Forthcoming: 4 poems in Spring 2020 Capilano Review, Co-Winner of 2019 Robin Blaser Poetry Prize

Forthcoming: 1 Poem in Room Magazine 43.3

Forthcoming: 2 poems in Mineral Lit Mag

Forthcoming: 3 poems in periodicities: a journal of poetry and poetics

long con magazine, Issue 3: What's so blank about it?

Red Alder Review: from Tenement, VI. Purified (Filter me, baby) both textual and video reading

Collusion Books Isolation Anthology, Is it less lonely like this: 2 poems ("Towers", written in collaboration with VII and "the weight of clealiness" written in collaboration with emilie kneifel) *This is a charitable digital anthology, to access, please email your receipt of charitable giving to longconmag@gmail.com

Cypress Poetry Journal, April 2020: Resistance and Territorial

Versefest edition of the peter f. yacht club, Spring 2020: "Tiresome"

 

The Anti-Langourous Project, No.6, Feb. 2020: Wilt and Footprints

Parentheses Journal, Issue 8, Winter 2020: Only for so long

filling Station Issue 73, Creative non-fiction piece: "I cannot write this softly"

AppleBeard Editions Release Any Words Stuck Inside of You II anthology, December 2019: "Old Bird Feeder Jane," and "Memories of Waxen Men"

Black Bough Poetry, Winter Holiday Issue, December 2019: Holidays are just small wakes that

BAD DOG MAG, Issue 3, December 2019: Excavation

Glass Poetry Press's Poets Resist Series, December 2019: Those who need to here this won't listen

League of Canadian Poets, Poetry Pause Program: What You Actually Lost

Issue 12 of Experiment-O, November 2019: 8 Poems 

The Temz Review, Issue 9, Fall 2019: Spider Veins and Admitted

G U E S T, Summer 2019: "The Missing Parts of Me"

Touch the Donkey, 4 poems, July 2019

 

Talking about Strawberries, Spring 2019: Who I am when I dream and Setting and Alarm 

Spotlight Series #37 on Medium, May 2019: Caricature

The Harbor Review, Special Abortion Issue, May 2019: Seeds

The Cafe Review, Spring 2019: 5 poems

Dusie Tuesday poem blog by rob mclennan, March 2019: Irrigation Techniques

 

TRAIN blog, March 2019: Queue

 

Anti-Heroin Chic, February 2019 Featured Poet: Early to Bed and Replacement Therapy

TRAIN prose poem print issue, January 2019: "Transmission" and "Intruder"

Big Smoke Poetry: One year into dating you

Coven Editions, Broadside, Fall 2018: "the sky has to cool at some point"

Arc Issue 85, Summer 2018: "Seeds" - Winner of 2017 Diana Brebner Prize

Prairie Fire Summer 2018: "What you actually lost" - 3rd place in 2018 Carmen Bliss Poetry Contest

Illiterature. Issue 8. Puddles of Sky Press, Summer 2018: "from Mitosis"

 

The Fiddlehead Spring 2018: "Recurrent" - Honourable mention in 2018 Ralph Gustafson Poetry Contest 

The Week Shall Inherit the Verse, February blog post: Paying for Storage

Coven Editions, February 2018, Broadside: "Wooden Jackets"

Coven Editions, February 2018, as part of the Magical Micro-Poems Collection: "Winter Bath"

Puddles of Sky Press, Postcard Series #1, February 2018: "Cloud Cover"

In/Words Winter 2018: "all the times I ate flesh"

NIVLX: A Book of Magic, Winter 2018:  “Satellite”

 

Coven Editions, November 2017:  Broadside of "The light in her bedroom is different because it exists at all"

 

In/Words Fall 2017: “Tropical Storm” and “Foreclosure”

 

The Maynard Fall 2017: The malice in my footsteps

 

Prairie Fire Fall 2017: “Home”

Sawdust Reading Series Broadside, August 2017: "Compassion, Gratitude, Awe"

 

Bywords August 2017: “Family History”

 

Bywords May 2017: “how we burn”

 

Mini chapbook released through phafours press, spring 2017, “Spider in a White Suit”

 

FLUX, 2017 - 3 poems

 

Transom, Issue #11, 2017: Shellac

Causeway Lit, Spring 2017 Contest, 5th place prize: September

 

Fishfood Magazine, 2017: “Portrait of my ex-husband”

 

PACE, Winter 2016: “Tending towards the fall”

 

Mochila Review, May 2013: “Full Sunlight” and “a recoil of springs”

 

China Grove, Spring 2013: “Vegetables”

 

The Snail Mail Review, Issue 4, 2012: “Bone-Bed”

 

The Tau Creative Journal, 2012: “Trap”

 

Goodwill Zine, #7, January 2011: “Is this too much?”

 

U of L White Squirrel, volume one, fall 2009: “Broken Leaf”

Musical Collaborations:

“Satellite” used in a score entitled “Satellite Lunation” by Rachel Short, 2019

 

“Contents” and “Full Sunlight” used in scores by Chris Kincaid, 2013

AWARDS 

Co-Winner, along with Bardia Sinaee, of The Capilano Review's 2019 Robin Blaser Poetry Prize

2 poems, "Bumpers" and "Perrenial", long-listed for The New Quarterly's 2019 Nick Blatchford Occasional Verse Contest

"Southern Belle" long-listed for Vallum's 2018 Poem of the Year

Honourable mention in The Fiddlehead's 27th Annual Literary Contest - Ralph Gustafson Prize for Best Poem - "Recurrent"

 

3rd place in 2017 Prairie Fire Poetry Contest for "What you actually lost"

 

ARC Magazine's 2017 Diana Brebner Winner for “Seeds”

Winner of Sawdust Reading Series April 2017 Poem-off; chosen by Poet Laureate George Elliott Clarke

 

5th place award in Spring 2017 Causeway Lit contest for “September”

 

1st place in graduate poetry for the poem “Vegetables” in the 2013 Metroversity Creative Writing Competition

 

2nd place in graduate poetry for the poem, “Bone-Bed” in the 2012 Metroversity Creative Writing Competition

REVIEWS AND ESSAYS

  • Instagram
  • Twitter
  • Bandcamp
  • Facebook
  • YouTube

© 2018 by Conyer Clayton